谁是 丁成 ？
Every word I write is a failure, and all these failures are my original intentions.
丁成，诗人、艺术家、电影导演。1981年12月5日生于江苏滨海。著有《丁成集》30卷本，理论批评文集《异端的伦理》，2002年发起中国80后诗歌运动，主编《80后诗歌档案》。作品入选《1978-2008中国优秀诗歌》《中国当代诗歌前浪》《1979-2009当代先锋诗三十年：谱系与典藏》等重要选本。2014年9月上海黄浦江上一艘轮渡被命名为“丁成号•诗歌船”，2014年9月应邀出席罗马尼亚“米哈伊•艾米内斯库国际诗歌节”，2015年编剧并导演首部电影剧情长片《我是谁 从哪里来 到哪里去》。2018年4月，南京艺术学院美术馆举办“从那里到那里：丁成作品展”。2018年8月，大连我在•艺空间举办“实名举报：丁成作品展”，2019年11月出版《语言膏》。
As the heresy of this age, Ding has multiple identities, such as painters, calligraphers, critics, and intellectuals. But the first thing I know is that the 80 post poets are full of energy and creativity. As a poet, in the new century Chinese poetry in the first few years, Ding with “LAN-STAR” “piston” and other important folk publications for the position to criticize it in the more forward-looking and prophetic poetry, give birth after 1980 generations of poets poetry movement has made outstanding contributions, become a leader a generation of poets; Ding into the youth to write “Shanghai, Shanghai” and a number of penetrating criticism and outstanding works.
I have introduced Ding Cheng’s identity as a poet, because I come into contact with after Ding Cheng’s paintings suddenly found Ding Cheng he as a poet as a painter Ding, in the depths of the soul are homologous, and even can be said that the poet is Ding Cheng other status of the foundation and source of the aura, a painter would make him a powerful and unconstrained style. Imagination and passion to inspire the most thorough.
Therefore, when the first time I saw his paintings, works is full of magic and temperament. This kind of thing is familiar and full of intense and complete strangeness. This is a hurricane of magic. In the control of this power, in the works of color, lines and stitching, have been given a mysterious and horrible, decisive, and let people try to break at unable to restrain the emotions to rebel forces. But this force does not point to hope, but shows the absurd variation of the world and the deep despair of the sober. If there is any hope, the destruction itself and the “eyes” can be seen everywhere. (in Ding Cheng’s paintings, no matter how absurd and chaotic it is, it is not a mistake, but the world itself has no value order. ” Ding Cheng at present this chaotic and absurd, on the one hand, showed his critical spirit and intellectual conscience, on the other hand, works can be seen in the figure of the animal “eyes”, “eyes”, reflects, in addition to criticism, Ding Cheng have greater expectations and whether he can play through their own efforts to find a constitutive value order for the era, at least he did not give up efforts to rebuild value reason. This itself shows the value of the work of Ding Cheng.) Maybe it can give us a courage and hope to break through the reality, and prove that in this disciplined era of mechanical reproduction, there is still a force that does not give in to a few people. He tried to use the blood, color, shape, metaphor of surrealism to achieve, is to declare war with the times, trying to save civilization symbol, and desire pressure numb soul breath, restore the original vitality, but also hope to restore the value system and moral order Chinese characters itself. His amazing creation of magic, perhaps from his ideal, and the spirit of ideal and uncompromising.
In the face of Ding Cheng’s works, and I moved, that he left us is always a person with the world fighting tragic image, this image reminded me of Lu Xun, who clearly see the reality but firmly and despair fighting spirit warrior; a belief in the collapse of the era, riding horses for maintenance human dignity and fighting alone. This person is doomed to be alone in the world but is willing to fight for the people alone, and is doomed to pay a huge price but never compromise. As he was in the “1644” (164x212cm, cloth, acrylic, ink, 2017), “a false false civilization to civilization Freemasonry” (69 x 137cm, ink, paper, acrylic, 2017), “beautiful new world” (147 x 104cm x 2, ink, paper, acrylic, 2017), “empire of the last breath to breath” (200 x 40.5cm x 3, cloth, acrylic, ink, 2017) as the prospect of those crazy, chaotic and bloody, behind from time to time flashed out of the phantom showed in his eyes, with despair, but also contains a faint glow. “We are strangers, lonely / fierce, sharp, gleaming / we are listening to the voice of his beast swallowed” — when looking at these paintings, Ding “square” in these verses to film “repeated bullet time”, slow, rotating puncture time blocked again and again hit me like a bullet:
The heart wall of the times is becoming weak in inch and inch
We don’t know how long we can keep it in the name of youth
The strength of matter is like a grinding wheel
First, it’s sharpened us very sharp
And then it’s sharp.
And stealthily become fragile
谁是 丁成 。
This film tries to interpret the ultimate proposition which exists eternally in human society – Who am I? Where I’m from? Where I’d like to go? The hero “Yao” (in Chinese it means “Want”) lives a wealthy life with affectional abuse, bizarre behaviors and a kind heart. Due to the death of a Japanese friend, he accidentally becomes a painter, but nobody understands his works, combined with the unexpected love betrayal, all the friends and relatives desert and leave him. Unprecedented confusion pushes him into an absurd life journey …
The story develops around Yao’s pursue of the new values of life. In the very picture of contemporary culture with Chinese characteristics, various people appear on stage, including impractical philosopher, ascetic Buddhist nun, theoretic Taoist priest, whore, tramp, thief, poet, beggars and so on. At last, the hero Yao goes to Shanghai for listening to the Gospel in a church, under the guidance of the soothsayer. However, he does not wake up but feels that religion is as absurd as everyday things. Just when he feels lost and uncertain about his life, he meets a successful businessman who is his former schoolmate, around whom there are all the slaves of money, captious orators, old-fashioned moralist-artists … Finally, Yao unfolds the painting in a pigpen, with all the people giving snickers. And when Yao puts his head into the noose and gets ready to die, he comes to realize what is life; however, a pig is dashing against the stool under his feet …
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