Because COVID-19 was delayed

Poetry is a Sticky Thing:Ding Cheng solo exhibition

语言膏:丁成个展

Who is Ding Cheng ?

谁是 丁成 ?

我写下的每一笔都是败笔,且所有败笔都是我的本意。

Every word I write is a failure, and all these failures are my original intentions.

丁成 Ding Cheng

Poet

artist ?

critic ?

Poet ?

周帆/摄

和他的诗一样,丁成的画产生出相当大的冲击力和爆发力,也可以说同样昭示了这样一个美学法则:破坏力同时正是一种创造力.
Ding Cheng’s painting is aesthetically stunning with great explosive power as well as his poetry. It also indicates the same aesthetic principle: destructive power associates with creativity.
楊小濱 Yang xiaobin

下不了手

你知道,我下不了手

无论对敌人还是对自己

火焰总是在最后时刻

无奈地熄灭

我遇到了一个可恶的人

双手不自觉地伸向口袋

你知道,那里并没有我想象中的手枪

当我看到他转过身去

越走越

蹒跚的背影让我下不了手

我在夜晚的广场上

看到烟雾缭绕的烧烤摊

人们三三两两地站在满地狼藉中

喝酒,抽烟,谈笑风声

我就想起了巴黎的街垒之夜

你知道,这里根本没有革命

我看到那些麻木的面孔

我下不了手

我看到你在别人的怀抱中

越来越漂亮

我感到身上忽然之间

多了一个军械库

可你看着我的眼神里却充满了同情

因为,你知道

我下不了手

这么多年过去了

我失去了许许多多的机会

无论对理想还是对生活

你知道,我下不了手

我想杀人,我下不了手

我想去死,我下不了手

我想丢掉梦想好好地生活

我下不了手,下不了手

我被密密匝匝地绳索捆在内心的牢笼里

想挣脱,想自由,想依着性子

把烦人的世界砸个精光

我还是下不了手

你知道,我下不了手

无论对敌人还是对自己

火焰总是在最后时刻

无奈地熄灭

我遇到了一个可恶的人

双手不自觉地伸向口袋

你知道,那里并没有我想象中的手枪

当我看到他转过身去

越走越

蹒跚的背影让我下不了手

我在夜晚的广场上

看到烟雾缭绕的烧烤摊

人们三三两两地站在满地狼藉中

喝酒,抽烟,谈笑风声

我就想起了巴黎的街垒之夜

你知道,这里根本没有革命

我看到那些麻木的面孔

我下不了手

我看到你在别人的怀抱中

越来越漂亮

我感到身上忽然之间

多了一个军械库

可你看着我的眼神里却充满了同情

因为,你知道

我下不了手

这么多年过去了

我失去了许许多多的机会

无论对理想还是对生活

你知道,我下不了手

我想杀人,我下不了手

我想去死,我下不了手

我想丢掉梦想好好地生活

我下不了手,下不了手

我被密密匝匝地绳索捆在内心的牢笼里

想挣脱,想自由,想依着性子

把烦人的世界砸个精光

我还是下不了手

拔腿戳乌鸦

细鸟雀发鸭子嘎嘎的叫
枯老柳煮三级嫩春风
白发顶住新年快乐
陌生人电话抖一抖竹叶要泛青
 
精致琉璃反射一顿光
虚空里认出来的屋脊上
冒出热蒸汽。锯子斜放
拖几根咖啡红线挂年画
 
圆拱门。金刚经。大白菜。金刚经
呼噜一声金刚经。金刚经
拔腿戳乌鸦满院贴福禄
圆拱门。金刚经。牛干巴。金刚经
细鸟雀发鸭子嘎嘎的叫
枯老柳煮三级嫩春风
白发顶住新年快乐
陌生人电话抖一抖竹叶要泛青
 
精致琉璃反射一顿光
虚空里认出来的屋脊上
冒出热蒸汽。锯子斜放
拖几根咖啡红线挂年画
 
圆拱门。金刚经。大白菜。金刚经
呼噜一声金刚经。金刚经
拔腿戳乌鸦满院贴福禄
圆拱门。金刚经。牛干巴。金刚经

101公告

你身高163厘米

实在不行

我就一厘米一厘米地爱

你体重101

实在不行

我就一斤一斤地爱

我只能这样

从头到脚慢慢地来

爱一点是一点

爱多少算多少

你身高163厘米

实在不行

我就一厘米一厘米地爱

你体重101

实在不行

我就一斤一斤地爱

我只能这样

从头到脚慢慢地来

爱一点是一点

爱多少算多少

无药可解

请不要用5个人的意见

通过“32”的办法

来决定我的对和错

这样少数服从多数的方式

在我看来一钱不值

就算“1:全世界又怎么样

我不在乎人民怎么想

当真理变成拳头的时候

我不需要同盟

你们站到另一边去吧

我,一个人足够啦

请不要用5个人的意见

通过“32”的办法

来决定我的对和错

这样少数服从多数的方式

在我看来一钱不值

就算“1:全世界又怎么样

我不在乎人民怎么想

当真理变成拳头的时候

我不需要同盟

你们站到另一边去吧

我,一个人足够啦

artist ?

丁成的破坏力十足,并带有一种谦卑的傲慢。 Each word of Ding Cheng is destructive , along with ahumble arrogance.
林书传 LIN SHUCHUAN

感觉的逻各斯展览现场,南京艺术学院美术馆,2019

critic ?

陈东东/摄

能够与丁成生活在同一时代一一我是何等的幸运!
I am so lucky to be a contemprary of Ding Cheng!
海波 Hai Bo

从那里到那里:丁成个展现场,南京艺术学院美术馆,2018

播放视频

      丁成,诗人、艺术家、电影导演。1981125日生于江苏滨海。著有《丁成集》30卷本,理论批评文集《异端的伦理》,2002年发起中国80后诗歌运动,主编《80后诗歌档案》。作品入选《1978-2008中国优秀诗歌》《中国当代诗歌前浪》《1979-2009当代先锋诗三十年:谱系与典藏》等重要选本。20149月上海黄浦江上一艘轮渡被命名为丁成号诗歌船20149月应邀出席罗马尼亚米哈伊艾米内斯库国际诗歌节2015年编剧并导演首部电影剧情长片《我是谁 从哪里来 到哪里去》。20184月,南京艺术学院美术馆举办从那里到那里:丁成作品展20188月,大连我在艺空间举办实名举报:丁成作品展201911月出版《语言膏》。

陌生的微笑中,夹带一丝香水气
A hint of perfume in a strange smile
墨,报纸,丙烯 Ink and propylene on newspaper 53.5×77cm
2017
泛滥的春天
Flooding spring
墨、宣纸、丙烯
Ink and propylene on paper 50×100cm 2017
喝醉了想你是正常的
It’s natural to miss you when I’m drunk 墨、宣纸、丙烯 Ink and
propylene on paper 50×100cm×2
2017
你说的谎我学不来
I can’t learn the lies you told 墨、报纸、丙烯
Ink and propylene on newspaper 53.5×72cm
2017

Ding Cheng: Hurricane - like magic

丁成:飓风般的魔力

CHEN BINGJIE
陈丙杰

(Doctor of modern and contemporary literature of Fudan University)
(复旦大学现当代文学博士)

As the heresy of this age, Ding has multiple identities, such as painters, calligraphers, critics, and intellectuals. But the first thing I know is that the 80 post poets are full of energy and creativity. As a poet, in the new century Chinese poetry in the first few years, Ding with “LAN-STAR” “piston” and other important folk publications for the position to criticize it in the more forward-looking and prophetic poetry, give birth after 1980 generations of poets poetry movement has made outstanding contributions, become a leader a generation of poets; Ding into the youth to write “Shanghai, Shanghai” and a number of penetrating criticism and outstanding works.

I have introduced Ding Cheng’s identity as a poet, because I come into contact with after Ding Cheng’s paintings suddenly found Ding Cheng he as a poet as a painter Ding, in the depths of the soul are homologous, and even can be said that the poet is Ding Cheng other status of the foundation and source of the aura, a painter would make him a powerful and unconstrained style. Imagination and passion to inspire the most thorough.

Therefore, when the first time I saw his paintings, works is full of magic and temperament. This kind of thing is familiar and full of intense and complete strangeness. This is a hurricane of magic. In the control of this power, in the works of color, lines and stitching, have been given a mysterious and horrible, decisive, and let people try to break at unable to restrain the emotions to rebel forces. But this force does not point to hope, but shows the absurd variation of the world and the deep despair of the sober. If there is any hope, the destruction itself and the “eyes” can be seen everywhere. (in Ding Cheng’s paintings, no matter how absurd and chaotic it is, it is not a mistake, but the world itself has no value order. ” Ding Cheng at present this chaotic and absurd, on the one hand, showed his critical spirit and intellectual conscience, on the other hand, works can be seen in the figure of the animal “eyes”, “eyes”, reflects, in addition to criticism, Ding Cheng have greater expectations and whether he can play through their own efforts to find a constitutive value order for the era, at least he did not give up efforts to rebuild value reason. This itself shows the value of the work of Ding Cheng.) Maybe it can give us a courage and hope to break through the reality, and prove that in this disciplined era of mechanical reproduction, there is still a force that does not give in to a few people. He tried to use the blood, color, shape, metaphor of surrealism to achieve, is to declare war with the times, trying to save civilization symbol, and desire pressure numb soul breath, restore the original vitality, but also hope to restore the value system and moral order Chinese characters itself. His amazing creation of magic, perhaps from his ideal, and the spirit of ideal and uncompromising.

In the face of Ding Cheng’s works, and I moved, that he left us is always a person with the world fighting tragic image, this image reminded me of Lu Xun, who clearly see the reality but firmly and despair fighting spirit warrior; a belief in the collapse of the era, riding horses for maintenance human dignity and fighting alone. This person is doomed to be alone in the world but is willing to fight for the people alone, and is doomed to pay a huge price but never compromise. As he was in the “1644” (164x212cm, cloth, acrylic, ink, 2017), “a false false civilization to civilization Freemasonry” (69 x 137cm, ink, paper, acrylic, 2017), “beautiful new world” (147 x 104cm x 2, ink, paper, acrylic, 2017), “empire of the last breath to breath” (200 x 40.5cm x 3, cloth, acrylic, ink, 2017) as the prospect of those crazy, chaotic and bloody, behind from time to time flashed out of the phantom showed in his eyes, with despair, but also contains a faint glow. “We are strangers, lonely / fierce, sharp, gleaming / we are listening to the voice of his beast swallowed” — when looking at these paintings, Ding “square” in these verses to film “repeated bullet time”, slow, rotating puncture time blocked again and again hit me like a bullet:

The heart wall of the times is becoming weak in inch and inch

We don’t know how long we can keep it in the name of youth

The strength of matter is like a grinding wheel

First, it’s sharpened us very sharp

And then it’s sharp.

And stealthily become fragile

……

作为这个时代的异类,丁成具有多重身份,比如,画家,书法家,批评家,知识分子。但我认识的丁成首先是一个充满能量和创造力的八零后诗人。作为诗人,在新世纪初的中国诗坛,丁成通过《蓝星》《活塞》等相当重要的民刊,以及在今天看来颇具前瞻性和预见性的诗歌批评,为八零后诗歌运动做出过杰出贡献,成为世纪初蜚声八零后诗歌圈的领袖式人物;作为诗人的丁成,弱冠之年就写出《上海,上海》等一批颇具时代穿透力和批判锋芒的优秀作品。

我之所以大费周章介绍丁成的诗人身份,是因为在我接触到丁成的画作之后突然发现,作为诗人的丁成和作为画家的丁成,在精神底质和灵魂深处是同源的,甚至可以说,诗人气质是丁成其他身份的根底和灵气来源,画家身份则让他天马行空的想象力和批判激情得以最彻底的激发。

因此,当我第一次看他画作的时候,就被作品背后充满魔力的东西镇住了。这种东西似曾相识又充满激烈而彻底的陌生感。这是一种飓风般的魔力。在这种魔力控制下,作品中的颜色、线条和拼接,都被赋予了神秘的、恐怖的、决绝的,让人声嘶力竭又情不自禁试图去突围去反抗的力量。但是这种力量并不指向希望,而是显示了世界的荒诞变异和清醒者的深深绝望。如果说有什么希望的话,深藏其中的破坏力本身和随处可见的眼睛(丁成的画作中,不论显得多么荒诞,多么混乱,那都不是丁成的错,而是这个世界本身没有了价值秩序使然。丁成在呈现这种混乱和荒诞的时候,一方面显示出了他的批判精神和知识分子良知,另一方面,作品中随处可见的人物的眼睛、动物的眼睛,都表明,在批判之外,丁成有更大的期待和担当——不管他能否通过自己的努力为时代寻构一种价值秩序,起码他并不放弃重建价值理性的努力。这本身显示出丁成作品的价值)

面对丁成的作品,让我感动的还有一点,即他留给我们的始终是一个孤身与整个时代对抗的悲剧形象,这种形象隐隐约约让我想到鲁迅,那个悲凉地看透现实却坚定地反抗绝望的精神斗士;也让我想起唐吉诃德,一个在价值崩塌、犬儒横行的时代骑着激情之马提着后现代之笔为维护人的尊严逆流而行。这种人注定孤独于世却甘愿独战众夫,也注定付出巨大代价却永不妥协,就像他在《公元1644年》164x212cm,布面,丙烯,墨,2017、《犹如假文明对假文明的惺惺相惜》69×137cm,墨,宣纸,丙烯,2017、《美丽新世界》147×104cm×2,墨,宣纸,丙烯,2017、《帝国的最后一口气交给谁来喘》200×40.5cm×3,布面,丙烯,墨,2017等画作中表现出的那些疯狂、混乱、血腥、颠倒的末日图景背后不时闪现出来的幽灵般的眼睛一样,包含着绝望,也包含着微弱的光芒。人群里的我们彼此陌生着、孤独着/激烈的、锐利的、闪着寒光的我们/正在听着自己被蚕食的声音”——在看这些画作的时候,丁成《广场》中的这些诗句反复以电影特效里子弹时间的方式,慢速、旋转、挟裹着刺破时空涟漪的锐力,一遍又一遍把我击中:

时代的心壁正在一寸一寸地变得薄弱

我们不知道还能以年轻的名义坚持多久

物质的力量像砂轮一样

先是把我们打磨得非常锋利

然后是锋利着

并悄悄地损耗

……

Who is Ding Cheng .

谁是 丁成 。

导演。

director.

This film tries to interpret the ultimate proposition which exists eternally in human society – Who am I? Where I’m from? Where I’d like to go? The hero “Yao” (in Chinese it means “Want”) lives a wealthy life with affectional abuse, bizarre behaviors and a kind heart. Due to the death of a Japanese friend, he accidentally becomes a painter, but nobody understands his works, combined with the unexpected love betrayal, all the friends and relatives desert and leave him. Unprecedented confusion pushes him into an absurd life journey …

The story develops around Yao’s pursue of the new values of life. In the very picture of contemporary culture with Chinese characteristics, various people appear on stage, including impractical philosopher, ascetic Buddhist nun, theoretic Taoist priest, whore, tramp, thief, poet, beggars and so on. At last, the hero Yao goes to Shanghai for listening to the Gospel in a church, under the guidance of the soothsayer. However, he does not wake up but feels that religion is as absurd as everyday things. Just when he feels lost and uncertain about his life, he meets a successful businessman who is his former schoolmate, around whom there are all the slaves of money, captious orators, old-fashioned moralist-artists … Finally, Yao unfolds the painting in a pigpen, with all the people giving snickers. And when Yao puts his head into the noose and gets ready to die, he comes to realize what is life; however, a pig is dashing against the stool under his feet …

片简

:我是 从哪里来 到哪里去

片别名:我是从哪里来 我要到哪里去

    :丁成

    :丁成

    93分钟

2016

片梗概(中文):

是一部试图诠释——我是?我从哪里来?我要到哪里去——这个类社会永恒的终极命题的。主人公要生活富裕爱情糜烂、行为怪异、心地善良。因一日本的死外地成个画家,但是没有人理解他的,加上突遭情变众叛亲离。前所未有的迷把他推向诞的人生之……

片围绕要追求新的人生价值而一一展开。在极具国特的当代文明图景下,各马粉墨空的哲学家、的比丘尼空谈的道士、妓女流浪汉小偷人、乞丐等等。最要在占卜下前往上海,在教堂聆听福音,然而他非但没有被唤醒反感到宗日常事一。就在要彷徨际遇到了是成功昔日同边充斥着金钱的奴隶毛求疵的演讲师守旧的艺术卫道……片的,要把画展开猪圈里引来了们的嗤之以把头进绞索准备赴死有所醒悟,然而,一头猪撞向了他脚踩着的凳……

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